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Our first visit to Zona Tortona - enter RED camera.

Zona Tortona. (via Michael Gluzman)

Our first visit to Zona Tortona - enter RED camera.

Zona Tortona. (via Michael Gluzman)

posted : by michaelgluzman | Wednesday, July 29th, 2009

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Roj - e (via Michael Gluzman)

Roj - e (via Michael Gluzman)

posted : by michaelgluzman | Monday, July 27th, 2009

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Coming Soon. (via Michael Gluzman)
Full length interviews will be mailed this week to Ingo and Ayala in gratitude for their extended time with us.

Coming Soon. (via Michael Gluzman)

Full length interviews will be mailed this week to Ingo and Ayala in gratitude for their extended time with us.

posted : by michaelgluzman | Monday, July 13th, 2009

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Ingo Maurer Interview. (via Michael Gluzman)

Ingo Maurer Interview. (via Michael Gluzman)

posted : by michaelgluzman | Monday, July 13th, 2009

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Categorizing. (via Michael Gluzman)

Categorizing. (via Michael Gluzman)

posted : by michaelgluzman | Monday, July 13th, 2009

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Roji: David Trubridge Preview on Vimeo (via Vimeo)

posted : by michaelgluzman | Monday, June 1st, 2009

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Roji: Tom Dixon Preview on Vimeo (via Vimeo)

posted : by michaelgluzman | Monday, June 1st, 2009

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posted : by travisekmark | Sunday, May 10th, 2009

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This year’s embrace of basics of course involved more than Tuscan farmhouse-style food displays and nonspecific vegetation and insect worship. Deceptively rough craft marked the Offcut stool by Tom Dixon, made, like it intimates, of trashed bits of lumber, and the Brave New World lamp by Fresh West for Moooi, an Anglepoise lighting fixture interpreted in wood scaffolding with iron counterweights. Similarly rough and woody was Established & Sons’ display, which contrasted nailed together piles of planks with the refined objects they sheltered. One such product, notable for a degree of perfection that approached pathology, was Roy McMakin’s limited-edition wood chest of drawers. The Shaker-like piece had eccentric knobs and pointless openings, which only made the flawlessness of the workmanship more obvious. (via Design Observer)

This year’s embrace of basics of course involved more than Tuscan farmhouse-style food displays and nonspecific vegetation and insect worship. Deceptively rough craft marked the Offcut stool by Tom Dixon, made, like it intimates, of trashed bits of lumber, and the Brave New World lamp by Fresh West for Moooi, an Anglepoise lighting fixture interpreted in wood scaffolding with iron counterweights. Similarly rough and woody was Established & Sons’ display, which contrasted nailed together piles of planks with the refined objects they sheltered. One such product, notable for a degree of perfection that approached pathology, was Roy McMakin’s limited-edition wood chest of drawers. The Shaker-like piece had eccentric knobs and pointless openings, which only made the flawlessness of the workmanship more obvious. (via Design Observer)

posted : by travisekmark | Sunday, May 10th, 2009

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“ These are resourceful times, green times, surprising times, Orlandi’s table reminds us. Our dull, bovine economy can yet make room for the occasional spot of indulgence. I spoon ham-and-potato salad from a little clamshell near my plate and look across the table at the reassuring sight of the Dutch designer Marcel Wanders. He’s wearing pearls.
— Julie LaskyDesign Observer

posted : by travisekmark | Friday, May 8th, 2009

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